Sunday, July 19, 2009

Julie Morgan: Makeup for Photographers



I've been very busy as usual. This week I attended a 1/2 day makeup demonstration, photographed Liza Minnelli at the casino, attended a 3/4 day makeup hands-on workshop and spent ten hours photographing a poker tournament. I have a zillion images in my post processing pipeline. Busy, busy.

Anyway, I thought you all might be interested in makeup adventures! I had a photosession with some of the Team Dazzle promotional models a month or two ago. One of the models had gotten separated from her makeup and I didn't have any. Somewhere on a DVD or tutorial from Jason Cole, the Australian Wedding and Glamor photographer I recalled mention of his BOB ("Bag O' Bras) [Actually a bag of bras, panties, bikinis, etc.] and of having makeup on hand, 'Just in case!' So I decided I needed to get some makeup to have on hand. Well, as a 64 year old male I knew less than nothing about makeup. I asked my wife and she had no idea what I should have in a backup kit. So, I asked my intrepid collaborator, Marcella Kligman, who has since moved off to Sacramento, and she pointed me to Julie Morgan. So, I contacted Julie and asked about one of her makeup kits. She sent me her brochure. There is a lot of stuff, packaged up in two or three graduated kits: basic, advanced and ultimate! I told her to give me everything.

Well, Julie is an amazement. Since it was clear that I had absolutely no clue, Julie said, "How about if I meet you with the stuff and go over everything with you?" So, a couple of weeks later when Julie flew into town for a client she made time to meet with me at Starbucks in Goleta with a box of makeup and tried to go over it. There's no way! We finally sorta laughed it off, I took the box of makeup and we parted.

Then Julie gets back to me and says, "How would you like to come to Brooks and learn how to apply makeup?" It turns out that Julie works with Paul Meyer. Paul Meyer has been teaching a "People" class for advanced students at Brooks since Christ was a corporal. As part of the class, Julie does two sessions: a three hour demo to prep the students for a six hour hands-0n workshop that includes makeup application, photographing their models and doing an analysis. Julie had gotten permission from Paul for me to audit the two sessions for this group.

At the first session, the demonstration, I was a bit overwhelmed ... I had no clue that there was so much "stuff" involved: cleansing, sub-foundation (matting), foundation, concealer, mascara, eye liner, eyebrow powder, contouring, shimmer powder and on and on. I got four pages of notes and was lost, lost, lost. Paul was laughing. He said when he first started teaching at Brooks that there were ten guys to each girl. Now, of 23 students in this People class, there were 16 girls and it made the makeup section much easier.

So, the following Friday, at 9:30 am at the Jefferson Campus of Brooks Institute of Photography I had the opportunity to slather makeup on Carmen Kuchera, local life coach [www.lifenotescoaching.com] and jazz flautist along with twenty or so Brooks students. It was hilarious! On the first pass I applied contouring that was so thick that pale delicate skinned Carmen looked like a Polynesian warrior! Julie brought a mass of makeup wipes and suggested removing it all and starting over. Meanwhile, of course, all the other students were zooming right along as though they did this every day (I guess most of them do), sitting in student desks facing each other in pairs. But, once back on track and with Carmen, Julie and Julie's model (Carmen's sister) telling me continuously how wonderful I was doing (and making me grotesquely aware of how poorly I was doing) I managed, with lots of intercession by Julie, to get a face onto Carmen ... and it actually did look OK.

I learned a huge amount despite being inept. I will certainly never look at makeup the same again. I will have a much better appreciation and ability to judge MUAs. I will never simply ignore the makeup process and leave it entirely to the models and MUAs. I will never be afraid to look at the model after makeup has been applied and say, "I need this fixed!" I will know if there is too much shimmer, too little matting, if the the makeup is caking or the skin too oily! I now know about Lip Tox and Lip Lock and Lip Gloss. I know you don't apply lipstick with a tube of the stuff. Oh, I know so much and so little at the same time. But I know that I don't know and hopefully that will keep me safe. :-)

But now I have one last amazement to share. I had met one of the students previously at a seminar put on by the Gold Coast Professional Photographers Association (of which I am a member) by Jim DiVitale, master product photographer of Atlanta, Georgia and Santa Barbara. She is Courtney Miller and is a rising star. Courtney does underwater glamor (my words, not hers) ... you can see her stuff at CourtneyMillerPhotography.com. So, I decided to see what the other students had come up with. I got to Courtney's model and my jaw dropped. She was certainly a beautiful model. And the makeup was very nice and sultry. But, Courtney, not to simply 'do the work' had added a stunning stripe of black dots running down one side of her face from above the eyebrow to the upper outer cheek. And later, I watched Courtney take this model through some of the light setups in "The Cove" and see how powerful her vision was when put to the test of actual photographs. I have no pictures of Courtney's work. I did tell Courtney I would love to work with her but haven't heard back ... I have a feeling she is even busier than I am! :-)

So, guys, if you get a chance, learn makeup! :-)

Travel Safe!

Dwight

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