PhotoArt: Fay Sirkis at The Institute

I spent an amazing week at the Lepp Insitute in Los Osos, California, at Fay Sirkis' "Impressions of Art" workshop/seminar. It was total immersion in Photoshop and Painter X in a workflow to convert your photographs into paintings. It was glorious. I have not a single artistic brain cell, but this gorgeous lady from New York seems to have given me a stem cell transplant (now that it's OK to do that again) and I was amazed at what we produced.

So, what happened? Fay walked us through her vision, sharing examples of her work along with their backstories to get our brains atuned. Then we started through the workflow for producing photorealistic images which first entails taking the image into Photoshop, retouching blemishes, treating the skin, a whole special section on working with the eyes (as Fay keeps reminding us, they are the "Gateway to the Soul".) We learned her "sandwich technique" for making adjustments. And once that was all done and we were swimming in layers, we flattened and caught our breath.

While I am familiar with Photoshop and did install Painter X on my workstation along with a Wacom Cintiq 21ux, I had no clue how to use Painter. Not a problem. Fay pulled up Painter and gave us a guided tour through the places we would need to go. But I have made this sound too trivial ... it is not! Fay spent many hours explaining and demonstrating where the various tools hide, what they do, their differences and similarities, how to customize them, arrange workspaces, palettes, panels and save them. And then she pulled her example images in and acquainted us with her workflow for photorealistic painting, step by step, with prepared student notes. And then she set us out to work on our own images all the while moving slowly from student to student giving intense personalized attention to everyone.

It is the way at The Institute to have open lab from 8:00 to 9:00 am each morning, class from 9:00 to 5:00 with breaks and lunch, and open lab again from 7:00 to 9:00 pm with assistants available to untangle our misunderstandings, find the tools we have hidden from ourselves, demonstrate the techniques that we missed because we were overwhelmed with information, and generally make sure that we are in control of the programs at our individual digital workstations which drastically reduces the class time needed to help less adept classmates the following day. It is a marvelous system.

The next major topic revealed a workflow that allows Painter to assist in jump starting our painting exploration. This is a fairly well developed set of ordered tools for enhancing target images, using the painterly tools such as brush styles and adjustments, creating an underpainting and then augmenting our hand painting enhancements.


So, what did I do that so overjoyed me? I took the picture of Anna, my daughter, from my previous blog entry, and turned it into a photorealistic painting which has been printed and my wife will have matted and framed for Anna's Grandmother. It is the image above. I also created a painting of Tom Jones from a concert capture of mine. I'm not sharing that image for now but I have included a detail in which you can see the brush strokes and style below. I have some project plans that I may reveal as I move forward.



Finally, we learned some additional critical printing preparation steps for enhancing the painterliness of our work and made a few prints. And then Fay explained many, many marketing tips and processes from handling the work in the presence of clients to titling, signing and numbering limited editions: the Ka-Ching portion of the program. It was surreal and filled with Fay's personal experiences and emotions.

Now, you may not be able to venture out to the West Coast to attend a Lepp Class with Fay, but there are other options. She has two tutorial DVDs available including the one I bought: produced in conjunction with Kelby Training. She has two more coming, one of which will be of particular interest to animal/pet aficionados. She is also touring with a number of other teaching Pros this year so you might want to check the Kelby Training website for that.

As always, I want to be clear that I am not affiliated with Lepp Institute as other than a normal student. I am also not affiliated in any way with Fay Sirkis or Kelby Training and receive no compensation or gratuity for sharing experiences. I should also disclaim that I have purchased wine made by Hal Schmitt (one half owner of Lepp) for my wife for Christmas but I am not reviewing it here or elsewhere.

Travel safe!

Dwight

LightRoom 2.0 with Hal Schmitt at The Institute

I spent the weekend with Hal Schmitt learning about LightRoom 2.0 at The [Lepp] Institute in Los Osos and running off to shoot the Santa Barbara County Vintners' Association Harvest Festival at Rancho Sisquoc, California. Both were superb.

But I need to back up just a second to report that I have had two major computer failures that have been taking up my time which is why I haven't been blogging as frequently as intended. I won't dwell on them ... I am a compulsive backer upper and would have lost no data even if I had not been able to recover both machines which I have been able to do. One up side is that I have built and am migrating onto a new machine that I will describe completely with pictures when I'm done and one down side is that the two failures really have complicated the hell out of the process of migrating! But I will fill you all in later when I have a nostril above the waterline.

LightRoom 2.0 is here. Hal says LightRoom 2.1 is close and that it will fix lots of the little bugs that have been revealed, making a much more solid release by Adobe. I have been a LightRoom user since the first public release of 1.0 due to a most fortuitous coincidence of taking a class at The Institute that I thought was going to be Photoshop but which turned out to be LightRoom. It is now an integral part of my workflow where I mainly use it for RAW conversion. I rarely Photoshop any images after the conversion. This is mainly because the things you do with Photoshop are not things that interest my current clientele. But this is changing and as I move into more areas of photography such as fashion, glamor, family and maybe weddings, I will need these skills. To this end, LightRoom 2 looks like another significant increment in the toolkit. I have LR2 installed on my new machine and 1.4.1 on my old machine ... I'm trying to tease myself along!

So, in his usual inimitable instructor fashion, Hal has created a really super LightRoom weekend that combines material for LR newbies and for those of us migrating from 1 to 2. I think our class of about a dozen was a mixed bag of new and continuing users. No one was bored! And there are a lot of little tricks and treats that I can't imagine stumbling upon or even reading about that are part of Hal's show. In fact, I was chatting with Hal and a couple of other students when I heard myself say, "It's not that I get everything that I expect in taking a Hal Schmitt class, it's that I get so much that I didn't expect that makes Hal's classes so exciting!" Hal and Victoria bring a lot of top flight instructors through The Institute, but I don't think any of those I've attended or read do quite the job that Hal does. He's not as cute as Tim Gray. He's not as verbose and chatty as Scott Kelby. He's only been into photography for a short time. But he understands teaching and students so thoroughly that he is seamless and getting better with experience.

Hmmm, I guess I'm impressed ... yet again. Anyway, Hal covered all the significant new stuff, particularly in the develop module, as well as its interface with PS CS3, since that's where the meat of the new release lives. But be clear, you would understand the entire workflow through all modules after attending this weekend seminar.

Enough of that! My next Institute class will be with Andy Katz the first weekend in November doing vineyard and winery photography and I'll give you another report.

I have a lot of topics lined up (my wife is getting tired of all the boxes, lenses, bags, Pelican cases and the like that are cluttering the hallway to and inside my office and studio) to write about. I really want to show the rest of my gear so I can finally talk more about using it and the workflow involved. So stay tuned and we'll get to everything from grapes to girls and concerts, too!

Be Safe!

Dwight

Photoshop 1 at Lepp Institute

Once again I spent an amazing weekend at Lepp Institute of Digital Imaging in Los Osos, California. Many of my peers are aware that I am not currently a Photoshop user. While I do use Photo Mechanic to cull, rename and inject IPTC data into my images and LightRoom to do RAW conversion and catalog, I am a fan and user of Ulead's PhotoImpact product. But this must change as I really need to be "Industry Standard" and that is Photoshop. I've known this for a long time and have had installed versions of Adobe Creative Studio since their first version. I just haven't used it, sigh.

So, in my quest forward, I have read several Photoshop CS3 books. I really like Martin Evening's book. I didn't care for Scott Kelby's book. I am currently reading Blatner, Chavez and Fraser and like it so far. And I really like the ever prolific Tim Grey's "Photoshop CS3 Workflow" book. But I was very surprised to discover that Hal Schmitt's Photoshop 1 course really smacks down the books! :-) Really, no kidding. From making great sense about the organization of menus and panels and their flow in your workflow, navigating about the images, how to approach each tool and where to look for options, to the ever popular 'learn those damn keyboard shortcuts' drumbeat [although I must take off one point for Hal's failure to include the shortcuts in his handout!] Hal has good image material on which to demonstrate and practice what is taught. The whole weekend had a super flow and Hal used the inevitable student errors in navigation and option selection to bring home his experiences on these same paths and reinforce his teachings.

A word about Hal: besides photographer/Photoshopper, he is a winemaker. Oh, wait, while that's true it is not where I want to go. Hal is an Instructor. He knows how to instruct people. I am sure he would be great teaching enology. He spent quite a while instructing aircraft fighting for the Navy at Top Gun and while his vast experience in this area goes almost unmentioned (although there are several pertinent photographs that keep popping up), it is clear why the brass would have selected him for such a job ... he really is a "Natural" at instructing. In my 30 plus years as a computer person I have taken many classes. And I have given many seminars, lectures and presentations to both handfuls and auditoriums of people on fairly esoteric computer topics ... my specialty was Operating System modifications in machine language for one of IBM's two mainframe Operating Systems, VM. I understand about teaching arcane and unintuitive topics. So does Hal. Plus he is much more personable than I am. :-)

So, I finished Photoshop 1, a weekend course, this past weekend. I will take Hal's Photoshop 2 next weekend. I won't bore you with how he divides topics or what specific tools/techniques are in each segment. I will mention that I am signed up for Hal's LightRoom 2.0 weekend next month even though I will have to miss a significant portion of it to go shoot at the Santa Barbara County Harvest Festival at Rancho Sisquoc for my both of my corporate clients ... but Hal, the winemaker, will understand. And so you know that it's not just Hal that I like at Lepp, I'm also signed up for Andy Katz's winery and vineyard photography workshop the first weekend in November and Kevin Ames photographing women week long seminar also in November. Lepp really has something for everyone! I am already reviewing their 2009 courses and have found two for which I am budgeting ... but that's another story!

I need to include a couple of other things. First, my wife and I have a truck camper and she likes to come up to Los Osos, well actually Morro Bay, with my daughter and camp out while I go to Lepp. There are numerous RV parks, public and private in the area that make attending classes into a vacation with extensive photo-ops. Second, I am not affiliated with Lepp Institute of Digital Imaging, it's employees or owners or sponsors in any way and am not compensated for sharing my thoughts about them. I have just found that every experience with Hal and Victoria (his much more of an artist wife) has been much more rewarding than I expected and plunged me forward into areas that I have resisted. This is a place you need to check out if you want to be one of those "Advanced Amateurs" who all seem to have the best of all possible worlds in photography. In fact, I think there are still slots open in all the courses for which I am signed up ... although there are some 2008 courses that are full. So, check out the courses as well as this lovely little coastal town.

Be safe!

Dwight