I know I have been neglecting my blog again but I have been very busy as well as getting hooked on Facebook, which is a huge time sink. But I have great plans to discuss the tons of new equipment, studio upgrades and projects I'm into, as well as share about experiences.
However, this entry is to make sure you know about Jennifer Wu's upcoming workshop at Light Photographic Workshops in the middle of March. She's coming back, armed for bear, to show us her award winning techniques for doing macros and wildflowers! And in this neck of the woods there are going to be plenty of wildflowers in the Spring given all the rain we're having.
In preparation for this workshop I have acquired a 1DMIV (actually, I got to shoot concerts and boxing, but I'm bringing it), the new Canon 100mm f/2.8L IS macro, Canon MT-24 dual head macro flash, lightweight Gitzo tripod with cross bar (I can't remember the number but I'll post it in another entry), Singh-Ray Vari-ND neutral density filter, Cokin Z-pro filter holder and various size adapters, a Hoodman Hood Loupe (as a result of my last Wu class) and a 24mm f/3.5L TS-E lens (also as a result of my last Wu class.)
If you recall, Jennifer got me into shooting with Live View on a tripod for landscapes, using the Hood Loupe to fine tune focus using the 5x and 10x magnification options. I was really appreciative because I shoot bracketing and mirror lock-up which is a pain unless you do use Live View. So, now I'm ready for her.
"Flowers and Macro Field Photography" will be March 15-19th at the Light Photographic Workshops digital darkroom training facility in Los Osos, California, but I expect we will be off into the field a great deal of that time. I am hoping to remember to take BTS (behind the scenes) photos so you can see more of this superwoman in action.
Showing posts with label Hal and Victoria Schmitt. Show all posts
Showing posts with label Hal and Victoria Schmitt. Show all posts
Friday, January 22, 2010
Saturday, October 10, 2009
LIGHT Photographic Workshops: Canon Field Photography with Jennifer Wu: HDR Follow Up
It's been a while since I wrote about the amazing three day weekend with Jennifer Wu in which I suggested that I might have some material for prints, so I thought I should get back over here and show a couple of examples. The two I have in hand are both HDR versions of images, one published previous as non-HDR and one not. They are both photographs taken at Midnight Cellars where Hal is a winemaker up in SLO county. The first is simply the HDR:
The second image I am going to show first the best single of the seven exposures in the series and then the HDR from the seven exposures combined in Photomatix Pro and touch a bit in Lightroom.
I'm impressed! I expect that I'll spend a bit of time determining how to print them when my new Epson 7900 and 4880 printers arrive.
Travel Safe,
Dwight
The second image I am going to show first the best single of the seven exposures in the series and then the HDR from the seven exposures combined in Photomatix Pro and touch a bit in Lightroom.
I'm impressed! I expect that I'll spend a bit of time determining how to print them when my new Epson 7900 and 4880 printers arrive.
Travel Safe,
Dwight
Tuesday, June 09, 2009
Light Photographic Workshops: Monday Night Lights
Last night, Monday, was the first of the Monday Night Lights (MNL) webinars that I have attended and it was well worth it ... well, yes, it was a free demo session, but I mean it was worth the effort to download and run the software which can be brutal for some applications and I won't put Silverlight on my system (it is a Microsoft product that apparently doesn't allow removal) which so many doing online classes want to use so I skip them. Anyway, GoToMeeting wasn't onerous at all and the software was flawless although it requires a little getting used to where things are, but no big deal.
The session was an introduction to PS "Curves", targeting mainly CS4 but with legacy discussion for previous versions, taught by Hal Schmitt, the soon to be legendary Digital Photography Instructor. Hal ran through most of the controls on the Curves Adjustment Panel using provided images (in case you wanted to do the exercises along with him.) He missed a couple on the bottom as we sorta ran out of time. But as always with Hal, he revealed two or three little tidbits that just wouldn't have occurred to me ... things as simple as dragging control points off the histogram to get rid of them, using the pencil, using the luminosity blending mode (which I should know but keep forgetting) when there is crossover coloring and a few others that I don't recall at the moment. This, of course, in addition to demonstrating the power of curves for adjusting contrast in images in RGB, explaining how the slope of the curve correlates to that contrast, how to use control points and how to mask when using the adjustments panel.
Normally, this hour long session, as part of a weekly series, would cost a whopping $5 (paid monthly ... ). What is it that you can get for $5/hour these days? And watch in the comfort of your own home while sipping on a gin and tonic and maybe a fancy chip or two? [I know Hal and Victoria would probably sip wine, but my wife hordes Hal's wine.]
So, a couple of other little items: MNL (this series) doesn't have an itinerary ... you can't really know what's coming! I thought this was bad. Now I see the added power ... if something really striking comes along there is no more than a week wait before Hal can share it. I mean there's a ton of stuff in the waiting queue, some of which I have requested, so it's not like there's nothing to talk about, but if there is a new update to Lightroom, new NIK filter, some cleverness with Imagenomic Portraiture or a hot new feature of Photomatix, it doesn't have to wait three months to get onto the end of the schedule!
Also, for those who prefer more structure in their lives, even in the online world, there is a schedule of more conventional webinars at LIGHT here. I'm considering Wednesday's Retouching People if I can get through some paying work tonight to clear the decks. I am hopeful that this schedule will be expanded significantly.
So, if you are feeling like you've lost the muse, are bored with your work, need to find some zippy energy by learning something new but don't have time to take a class or pore over a magazine article, then I'm suggesting MNL.
Usual Disclaimer: I am not compensated by LIGHT for these reviews (except by Victoria's gorgeous smile.)
Travel Safe!
Dwight
The session was an introduction to PS "Curves", targeting mainly CS4 but with legacy discussion for previous versions, taught by Hal Schmitt, the soon to be legendary Digital Photography Instructor. Hal ran through most of the controls on the Curves Adjustment Panel using provided images (in case you wanted to do the exercises along with him.) He missed a couple on the bottom as we sorta ran out of time. But as always with Hal, he revealed two or three little tidbits that just wouldn't have occurred to me ... things as simple as dragging control points off the histogram to get rid of them, using the pencil, using the luminosity blending mode (which I should know but keep forgetting) when there is crossover coloring and a few others that I don't recall at the moment. This, of course, in addition to demonstrating the power of curves for adjusting contrast in images in RGB, explaining how the slope of the curve correlates to that contrast, how to use control points and how to mask when using the adjustments panel.
Normally, this hour long session, as part of a weekly series, would cost a whopping $5 (paid monthly ... ). What is it that you can get for $5/hour these days? And watch in the comfort of your own home while sipping on a gin and tonic and maybe a fancy chip or two? [I know Hal and Victoria would probably sip wine, but my wife hordes Hal's wine.]
So, a couple of other little items: MNL (this series) doesn't have an itinerary ... you can't really know what's coming! I thought this was bad. Now I see the added power ... if something really striking comes along there is no more than a week wait before Hal can share it. I mean there's a ton of stuff in the waiting queue, some of which I have requested, so it's not like there's nothing to talk about, but if there is a new update to Lightroom, new NIK filter, some cleverness with Imagenomic Portraiture or a hot new feature of Photomatix, it doesn't have to wait three months to get onto the end of the schedule!
Also, for those who prefer more structure in their lives, even in the online world, there is a schedule of more conventional webinars at LIGHT here. I'm considering Wednesday's Retouching People if I can get through some paying work tonight to clear the decks. I am hopeful that this schedule will be expanded significantly.
So, if you are feeling like you've lost the muse, are bored with your work, need to find some zippy energy by learning something new but don't have time to take a class or pore over a magazine article, then I'm suggesting MNL.
Usual Disclaimer: I am not compensated by LIGHT for these reviews (except by Victoria's gorgeous smile.)
Travel Safe!
Dwight
Tuesday, March 17, 2009
"Outlet for My Creative Self": Helene Glassman @ Lepp Institute
Another amazing weekend spent up in Los Osos, California, at the Lepp Institute! This time with Helene Glassman, of Santa Barbara, California, and Atlanta, Georgia. Helene is a photographer (as is her husband, Jim Divitale.) She has done PJ. She has done weddings. She has done lots of things and sometimes just needs to "to do her own thing" to let the creative juices flow. And apparently this flow has been into specialized greeting cards and bookmarks. And over this weekend, Helene walked us through both the business and the workflow aspects of this process.
Before I forget, I need to mention that I am always amazed at the quality of people who turn out to be my fellow students. Often doctors and lawyers although no indian chiefs, yet! Susan is just a hobbyist with no intention of selling anything ... turns out she has been a math teacher and computer programmer (and knows several languages that I know, too.) Greg does dogs! Cynde, who has been in two or three other classes with me is a professor and hospital administrator. And Alice has already been doing this for a while. Fascinating high quality people with wonderful personalities and amazing life stories. We all sat around in the break room chatting several times until Victoria herded us up like kittens to get back into the digital lab.
So, Helene showed us her products, both physically and "on the big screen". Then she looked through our stuff making suggestions and offering direction. While most everyone else had animals, landscapes and flowers, I as usual had well known entertainers, sigh ... same old boring stuff!
Next she reviewed many ways to put images onto cards and many types of cards: triptychs, Thank You note, vertical, horizontal, in series with lots of variations. She talked prices. She talked supply vendors. She talked software.
Then she had us shoot a bunch of flowers she had assembled in vases ... plus an old chair that she had found dumpster diving behind the Institute! Out came the cameras. I have just purchased a G10 and that was what I brought! I normally lug a big Pelican Case up with $20K worth of stuff but I needed to expand my horizons! I did discover almost immediately that I needed a tripod (I'm big into tripods!) I borrowed a RRS plate and tripod. I have since ordered (and received) a RRS L-plate for my G10. I also have a cable shutter release coming.
We then took our images and started working our way through her techniques. I, as usual, didn't use my new images but pulled up entertainers and worked with them. Victoria really likes this so I normally use Tom Jones as that's her Mom's favorite ... and when I come back home I leave all my Sir Tom Jones stuff for her to send to her Mom.
As we neared the end, we were printing off cards left and right. Some of the other students were amazingly artistic. Then Helene and Victoria ran down to the pizza place, grabbed an employee, brought her back and made her judge our output and pick a winner! I didn't win which I am sure was a mistake!
And now the usual disclaimer: I am not compensated for reviewing the Lepp classes I take in any way by the Institute, the instructors or the sponsors!
Travel Safe!
Dwight
Before I forget, I need to mention that I am always amazed at the quality of people who turn out to be my fellow students. Often doctors and lawyers although no indian chiefs, yet! Susan is just a hobbyist with no intention of selling anything ... turns out she has been a math teacher and computer programmer (and knows several languages that I know, too.) Greg does dogs! Cynde, who has been in two or three other classes with me is a professor and hospital administrator. And Alice has already been doing this for a while. Fascinating high quality people with wonderful personalities and amazing life stories. We all sat around in the break room chatting several times until Victoria herded us up like kittens to get back into the digital lab.
So, Helene showed us her products, both physically and "on the big screen". Then she looked through our stuff making suggestions and offering direction. While most everyone else had animals, landscapes and flowers, I as usual had well known entertainers, sigh ... same old boring stuff!
Next she reviewed many ways to put images onto cards and many types of cards: triptychs, Thank You note, vertical, horizontal, in series with lots of variations. She talked prices. She talked supply vendors. She talked software.
Then she had us shoot a bunch of flowers she had assembled in vases ... plus an old chair that she had found dumpster diving behind the Institute! Out came the cameras. I have just purchased a G10 and that was what I brought! I normally lug a big Pelican Case up with $20K worth of stuff but I needed to expand my horizons! I did discover almost immediately that I needed a tripod (I'm big into tripods!) I borrowed a RRS plate and tripod. I have since ordered (and received) a RRS L-plate for my G10. I also have a cable shutter release coming.
We then took our images and started working our way through her techniques. I, as usual, didn't use my new images but pulled up entertainers and worked with them. Victoria really likes this so I normally use Tom Jones as that's her Mom's favorite ... and when I come back home I leave all my Sir Tom Jones stuff for her to send to her Mom.
As we neared the end, we were printing off cards left and right. Some of the other students were amazingly artistic. Then Helene and Victoria ran down to the pizza place, grabbed an employee, brought her back and made her judge our output and pick a winner! I didn't win which I am sure was a mistake!
And now the usual disclaimer: I am not compensated for reviewing the Lepp classes I take in any way by the Institute, the instructors or the sponsors!
Travel Safe!
Dwight
Sunday, July 27, 2008
Lepp Institute: Printing & Mounting on Canvas Weekend Seminar
No equipment review this time as I spent the weekend at Lepp Institute of Digital Imaging in Los Osos, California, which is right next to Morro Bay. Lepp Institute at http://www.leppphoto.com/ was created by George Lepp and is now owned and run by Victoria and Hal Schmitt (yup, two 't's) in concert with George. And this weekend, at my personal request, Hal & Victoria had their first canvas printing & stretching class. They have had several previous canvas classes taught by other instructors but they have done so much canvas work at the Institute for themselves and clients that they have become quite adept ... and for this first class in this new area they have simply outdone themselves. This is an image of the Digital Classroom taken from the instructors podium.
If you are interested in becoming familiar with the mysteries of printing on canvas and subsequent preparation and mounting on stretcher bars, this is a course for you, and they have several of these weekend wonders already on their schedule due to high demand. Hal & Victoria start with image optimization (in Photoshop) and work with you all the way out through gallery wrap expansion of your images including test prints on real canvas. The techniques and insights and experiences they share will save you days and weeks of heartache and problems ... they have had this experience for you! Below is the studio/canvas mounting area.
After test prints, you will make one or more "real" print images on canvas and then learn how to prep your images for stretching ... these images, prepared as "PremeirArt Nouveau Fine Art Prints" are true Giclee (see http://en.wikipedia.org/wiki/Gicl%C3%A9e) prints and are simply stunning. We did both hand and machine stretching.
Now I've got to put in a word for Victoria ... several of the prints had some serious defects due to scanning ... one was covered in dust and hairs ... others picked up detritus during preparation ... Victoria stepped in with Photoshop and her fine paint brush and showed how to correct errors and problems. She is a real artist but is ever so modest (everyone who deals with Hal is modest, of course!)
So, after hands on learning about PremierArt Eco Print Shield application we all proceeded to prepare an image (or two), hand stretch and complete the process. I did my famous KISS performance collage (see below) and will be giving it to Wayne Hurte, my boss at the Chumash Casino Resort for his Condo renovation. In addition there were beautiful images of stored boats on a lake, a raptor, a gnarly old tree, a mother's portrait, a beach and others printed at this seminar, both color and Black-and-White (you would not believe how amazing B&W canvas prints are.)
If you either want to knock the socks off your photography friends or sell your work as fine art Giclee, you really need to make the time and effort to attend this class. It is under $500 (at this time) and you walk out with at least one canvas image that would retail for $450. There has never been such a bang-for-the-buck class in digital photography! You can read the Lepp Institute blog entry: Welcome to the Lepp Institute Blog: Canvas Printing and Finishing Workshop
I'm going to end this by saying that I am about to register for their weekend November 1-2, 2008, class which will be about shooting wineries and vineyards. And I have promised to attend a set of the weekend seminars for Photoshop so that I will finally get converted from my beloved PhotoImpact, sigh! :-)
Be Safe!
Dwight
If you are interested in becoming familiar with the mysteries of printing on canvas and subsequent preparation and mounting on stretcher bars, this is a course for you, and they have several of these weekend wonders already on their schedule due to high demand. Hal & Victoria start with image optimization (in Photoshop) and work with you all the way out through gallery wrap expansion of your images including test prints on real canvas. The techniques and insights and experiences they share will save you days and weeks of heartache and problems ... they have had this experience for you! Below is the studio/canvas mounting area.
After test prints, you will make one or more "real" print images on canvas and then learn how to prep your images for stretching ... these images, prepared as "PremeirArt Nouveau Fine Art Prints" are true Giclee (see http://en.wikipedia.org/wiki/Gicl%C3%A9e) prints and are simply stunning. We did both hand and machine stretching.
Now I've got to put in a word for Victoria ... several of the prints had some serious defects due to scanning ... one was covered in dust and hairs ... others picked up detritus during preparation ... Victoria stepped in with Photoshop and her fine paint brush and showed how to correct errors and problems. She is a real artist but is ever so modest (everyone who deals with Hal is modest, of course!)
So, after hands on learning about PremierArt Eco Print Shield application we all proceeded to prepare an image (or two), hand stretch and complete the process. I did my famous KISS performance collage (see below) and will be giving it to Wayne Hurte, my boss at the Chumash Casino Resort for his Condo renovation. In addition there were beautiful images of stored boats on a lake, a raptor, a gnarly old tree, a mother's portrait, a beach and others printed at this seminar, both color and Black-and-White (you would not believe how amazing B&W canvas prints are.)
If you either want to knock the socks off your photography friends or sell your work as fine art Giclee, you really need to make the time and effort to attend this class. It is under $500 (at this time) and you walk out with at least one canvas image that would retail for $450. There has never been such a bang-for-the-buck class in digital photography! You can read the Lepp Institute blog entry: Welcome to the Lepp Institute Blog: Canvas Printing and Finishing Workshop
I'm going to end this by saying that I am about to register for their weekend November 1-2, 2008, class which will be about shooting wineries and vineyards. And I have promised to attend a set of the weekend seminars for Photoshop so that I will finally get converted from my beloved PhotoImpact, sigh! :-)
Be Safe!
Dwight
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